Saturday, January 30, 2016

Peace on Earth: Portrait Show in Feb

For this show,  I have painted six big sized portraits,  I am sharing a couple of those here. 

While researching for this show, I came across the interesting fact that many World leaders respected the philosophy of non-violence introduced by Gandhiji and most of these followers received Nobel Prize for peace.  I chose the people who are working or have worked towards the world peace through a great deal of compassion and integrity. 

They all faced hardships, criticism, and resistance for their efforts, but they responded with love and conviction and fought for the basic rights of humanity. This portrait series is my humble attempt to show my gratitude towards these grand personalities and pay my respects to them and all those who believe in power of love.

 "King"
Oil 
Process

Each portrait is painted in defined, saturated brushstrokes on the canvas.  I used direct brush drawing on the surface and for most part, let the light dominate the display instead of the actually painting the skin color.

The portraits are saturated with mid tone-hues and crisp strokes. The paint leaves no area exposed and layers of colors blend the unique effect for each viewer. Its clearly the intention to not fuss over the tight likeness but to involve the entire persona. 

 "Bapu"
Oil

From the distance the flag dominates, which introduces the country of birth of the leader, and as you walk closer, you recognize the person, and if you come even closer, you witness a playground of warm and cool tones of colors. 


India Republic Day

India celebrates Republic Day to honor the date on which the Constitution of India came into force on 26 January 1950 replacing the Government of India Act (1935) as the governing document of India. 

The main Republic Day celebration is held in the national capital, New Delhi, at the Rajpath before the President of India. On this day, ceremonious parades take place at the Rajpath, which are performed as a tribute to India; its unity in diversity and rich cultural heritage. On those lines, we try to put together a vibe of celebrations in our adopted country. This year, I am excited and honored to be part of the ceremony by sharing my portrait work.


Celebration in Fremont


The show is scheduled for Feb 6 in Central Park alongwith multiple dance and talent contests. It is an open event and you are all invited.

Monday, January 25, 2016

Pricing the Art






Art is not just a painted surface; its an expression - a representation of feelings, emotions, and thoughts in response to how the artist sees it. So, when it comes to the painting for the sheer joy of it,  its quite understandable that artist may not even want to share it with anyone. Its their very private moment that is now out there on the surface not meant to be subjected to the judgement or evaluation.
But when you are a professional, who earn their living by making art, you also make it clear that you have prepared yourself to be vulnerable! You not only invite everyone to be a judge, you in fact, ask everyone to be the critique of the work; right from the choice of the subject, color scheme, layout, process, all the way to pricing! 


How Pricing in Done

When I was starting out, I consulted many artists in regards to pricing the art. To my surprise, most suggested that after many years in profession, they still hadn't figured out a cookie-cutter way to correctly price their work. They try to balance different factors to reach to a correct recipe for the right price but it never seems perfect. There are different ways, yet pricing undoubtedly remains a tricky one. Different artists choose different ways to put a price tag on their work.

Many told me that because art is subjective and so, its juxtaposition plays an important role in the process. Meaning, one abstract art might sell for thousands because it was hanging in a high end museum, whereas another beautifully created realistic artpiece may not even cover the price of supplies when sold from the artist's home.

Some suggested going by the square-inch pricing. Its straightforward to calculate - you find the area of the artwork and multiply it by the $ and round it to the next zero. Its simple and easy to explain to the potential buyer.

Others support the pricing by number of hours times $ plus supplies.

After a while, it slowly became obvious that one should follow what suits them the best without having to compromise the quality.


My Take

Knowing, the process of pricing is your own decision. No matter what method you follow, make sure it does not affect the quality of your work. Keep in mind that :

1. The pricing should be fair

Make a price list and keep it where everyone can see it. Mention clearly what all it entails.

2. Be open

If someone is really interested in something, all they have to ask me for a discount. In most cases, I adjust to the reasonable requests and explain what I cannot.  I even have offered my 70+ hours of work for free because they convinced me so with their kindness! On the other hand, I saved a lovely piece from the hands of a disrespectful person. Disrespect towards art in particular.

And here is the most important one - 

3. The creative spark should be white hot

The passion that gets me to the work, day after day is respect for my talent.  Prime reason why I paint is because I love to do it. Why I make it available to purchase, is to create more art and to create better art.


Afterthoughts

My favorite subjects are nature and people - both have shaped my creativity in ways that are beyond words.  It makes me so optimistic to open up to others and keep trying to do better. Please share what your thoughts are. And as always, keep chasing your dreams!
























Tuesday, January 19, 2016

On the Cover of Key2Arts' Recent Newsletter


I am glad to share the Key2Arts newsletter that has featured one of my paintings on their cover.


In each newsletter, they choose and promote one artist by putting his/her art as the cover and adding links to the artist's profile and artwork page.

I would like to thank Kathy, for choosing this image for the 77th issue.

As many of you know, it is one of my beloved paintings. It's now proudly hanging in a lovely home in Bay Area.

Wednesday, January 6, 2016

How Long Does it Take to Paint a Portrait for a Show


In the making of Dreamer, my sitter sat for me for about a 30-minute photoshoot. I took almost about 50 or so pictures from various angles.

Camera has a very conspicuous impact on us. It makes us smile at any given moment :-)
Once the lens is pointed at us, we just cannot help but let go whatever expression we're wearing in exchange for this perfect blissful smile. We are trained that way - to present our best two second lens-perfect smile. So, its a skill to let the sitter loosen up to the point where they let you get beyond that practiced smile and capture whats most natural to the sitter. It takes a while, but we eventually get there.

After the photoshoot, I printed out the whole shoot and set out to select one. Once I had that perfect expression I was looking for, I chose it and had it enlarged to read it further. I reviewed my interaction with the sitter in front of this printout. Once that connection is made, I examined few options for the size and composition.

Selected Ref Photo

I selected a 16 x 20 for the portrait and painting started. Along the way, I realized, the background of the work had a great influence of the works of Gwenn Seemel's paintings. So, before moving forward, I emailed Gwenn and asked for her blessings and as expected, she had all the encouraging words about remixing it in my artwork. So, I went ahead and let the brush do its work.

 Dreamer  
almost 80% done
I wanted to change the color and texture of the outfit of my sitter. Here is the Maxican peasant top that I admired a lot for its feminine touch with lovely white color and delicate colorful-embroidery. It seemed to be fitting to have it on the sitter who loves this color and have this kind, compassionate demeanor.

White peasant top

Then I adjusted the tone of the overall painting. darkened a few spots, added some light in desired parts and pulled it all together as a whole - the backdrop is becoming part of the person.


At this point, I let the painting sit. And I observe. this period is one of the most important time to ponder over - I start to have the feeling of departure. I know in the next sitting it will be over. The entire journey will come to an end. The end saddens you like any other awesome, productive journey, that you don't want to end and thus unconsciously, I delay this stage.

Once I am ready to let go, I return back to it. At this point, I know what will go where - the painting practically finishes itself.

Palette for the portrait

 Artists are often asked, how long we would take to finish a painting, and I am no exception, "I cannot really say!"  Technically, there is only this much time you need, but in real life, you never know. 


Finished Portrait

Once the paintwork is over, The portrait is allowed to dry completely. Oil paints take longer to dry especially if the weather is not warm. Once dry, I paint the edges with protective paint, mostly acrylic variety. This saves the corner of the stretched canvas, in an event we would like to have it re- stretched or hang without frame. 

Later, I have the work varnished. Its usually a non-yellowing, matt-acrylic coat to protect the oil quality of the paints. 

Finally, its sent to the professional framer who makes sure the presentation is in-line with the basic color-scheme. At this point, the painting is all ready to hang!

Not the greatest pic but here it is!

 Now, you get a glimpse into the process. Its long, tedious, subjective, and unexpected. Would I like to repeat it again? Oh yes, any given day, just ask me! 

Monday, January 4, 2016

Portrait Series II on Display


Remember the Call?

I am happy to post that the Portrait Series,  Portrait Series II finished last year and is now on display.  You might remember that I sent out a call for the models which read :

For this project you are invited to participate as a model.
Anyone in  the range of 14 - 50 can take part.
The portraits will be painted from your photos that I will take. So, you don't have to sit for the paintings.

The photoshoot would be 20 to 40 minutes long, followed by a get-to-know session. It would include a small introduction and discussion about details of the process. We will discuss your likes, dislikes, favorite color, and stuff like that. A mini interview, if you like.
Based on this session, I will paint your portrait.


I posted this on my blog and later on a facebook group and linkedin. From the responses I shortlisted a few people. Contacted them and invited them for the photoshoot. 


The Process

This part is most time consuming yet really awesome! Thrill to know someone whom you'd paint is very motivating . The idea of painting as a means of capturing the whole personality is the essence of portraiture art.

Then followed the photoshoot, painting,  getting the work display ready, Inviting the sitter to view, viewing-by-sitter, and finally, the display in the exhibition.

The selected portraits are accepted and are on display in show titled Expressions. 


And Here We Are


Given how unpredictable things can be, I am delighted that everything went as expected and beyond! 

I want to thank the sitters for their gift of time - they allowed me to paint their faces for my art enrichment experience. Its not just  commitment, its an act of kindness and support and I am extremely thankful for that. Along the way, I made friends, renewed friendships, and learned so much.

I invite everyone to Mission Coffee, 151 Washington Blvd., to see this display. Its on till Jan 31. I will be there on Sunday, Jan 10 from 3 to 5, so drop by!



(This is one of the selected portraits on display. Sitter is Rupali.)
 "Dreamer"
Oil on Stretched Canvas
16 x 20

What Lies Ahead

One ending is the beginning of something new. I continue to paint faces. 

If you'd like to join me in this journey, you are very welcome. Just email me or call me, I will take it from there. And above all, keep sending your best wishes, we all need it. 



Wednesday, December 30, 2015

You are Invited: New Shows in January



Hello!

I am happy to invite you to two of the art shows that I am participating in.

One is group exhibit Gertrude Stein: Shorn where I am showing a portrait and the other one is solo show, Expressions. By pure coincidence, both shows are opening on the same day, January 3 and thus, I will have to miss the reception on one. But you can attend both and enjoy the works of art. 

"All Mine"
12 x 16
Oil
2016 - Year of the Monkey
Artwork from the show Expressions


I will be happy to see you at the show. In the meantime, stay warm and enjoy your holidays. Wish you a very happy year of the monkey!

My best,
Bhavna

Monday, December 21, 2015

Complete Circle of Animals


I am excited and honored to present you the result of my journey of animal portraiture . While researching for this project, I learnt a lot and I hope the viewer will be delighted with the results.

 Circle of Animals


 Collage of zodiac animals in the order
 

About the Artwork
The Chinese zodiac is also called "circle of animals". It is a scheme and systematic plan that relates each year to an animal and its reputed attributes according to a 12-year mathematical cycle. The term "zodiac" reflects several similarities to the actual calendar of 12 months.

Each year is represented by the names of animals and each is widely associated with a culture of ascribing a person's personality or events in his/her life to the supposed influence of the person's particular relationship to the cycle. Although similar to Western zodiac, it has 12 parts the two have major differences: the Chinese 12-part cycle corresponds to years, rather than months. The Chinese zodiac is represented by 12 animals, whereas some of the signs in the Western zodiac are not animals, despite the implication of the Greek etymology of "zodiac". The animals of the Chinese zodiac are not associated with constellations spanned by the ecliptic plane.

These sign animals are rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, rooster, dog and pig.

Here are the individual oil paintings. Enjoy!

 Little Bunny

  Wild Boar

 Dhole dogs made an entrance in the series as Daisy (as in the collage above) found a happy home.


 Mother Gorilla with Baby

 Mother Buffalo with the Baby

 Brown Mouse

 Mother Sheep with the Baby

 Cobra


 White Tiger

 Australian Pony

 Rooster

Monday, December 14, 2015

Last Show of 2015


I have no words for those who consistently have been supporting my art. They do it selflessly, lovingly and, just so naturally. It was very touching when they offered the gift of their time to come down to wish me on my show's reception. From the deepest of my heart, I send my gratitude and best wishes their way. You know who you are and I have very cliched, but heartfelt words for you - "Thank you!"


Cellphone Collage of the Show

The show runs till March 2016. If you haven't visited, feel free to stop by when you get a chance. I was told "Now You See It" has an interesting touch. Let me know what you think.

Our photographer could not be there on the day, so we made up by sporadically taking pics from cell phone. Sorry about that. But if you have any from the show, please do share with us.

Happy holidays, everyone!

Friday, December 11, 2015

Art, Show, and Long Nights


December is already halfway past and before you know, it would be time to welcome the new year! I like this rush, the urgency, and the festivities this time of the year brings.
The days are short, evenings are early, and the nights are looong. This means more time indoors - more time with family.

In terms of creativity the process takes the different spin. It starts to align to the slower pace of artmaking. I like this nature driven healthy and wholesome intervention for the creatives. In response to season's suggestion, I transition from demanding painting to humble aspect of artmaking, that is, drawing. So, in this time, painting seems to become somewhat infrequent and drawing dominates most genres of my art-work. Which in turn, helps me revisit the fundamentals and prepare better for the later. The drawing and coloring that I can do cuddled up in the couch or bed has its own rhythm. Its like nature telling you to slow down, analyze what you have, and enjoy the basics. And I listen.

This December is no exception. The group show rushed us artists to bring out our best works to show and once it is over, we can happily step back and enjoy the season.



Today, I look forward to meeting friends, old and new during the reception of my solo. Without their support, things hardly make any sense.

I also like to take the moment to show my gratitude towards the gallery showing my work. I am very thankful to the people who made it happen for me. They showed trust in a dreamy newbie - it is a huge step towards encouraging and supporting art and the artist. And in return, this artist assures to keep doing her best!

Happy Holidays, everyone!

Wednesday, December 2, 2015

Olive Hyde Show - Sneak Peek


Getting ready for the show


 Butterfly Art for Sale


 Tile Coasters


 One of a kind, handmade ceramics





Painted Artworks


Beautiful Decor



For more information, please visit this link:

Friday, November 6, 2015

Hello November!


As the month of November begins, the air starts to get heavy with chill and moisture. Around the same time arrive the festivals offering warmth and reason to look forward to this time of the year.
Some memories of October - 

  Mini Pumpkin Patch!

 Cinderella Pumpkins
 
 White Gourd Pumpkins








 Mama Swan with Baby




Monday, October 26, 2015

Motherhood, Arts and the Balancing Act


Hardly a day goes by when you won't come across the debates over the work-life balance. Whenever career, choice of career, staying-at-home, working part-time or anything inbetween is mentioned, you are presented with a plethora of views to support your opinion about what balance means.
This discussion often ends right at the point it begins. Each side supports and defends the choices that they make for themselves, by option or by circumstances. And that, in fact, is the answer to the debate, that - There is no right choice because the decision is subjected to personal options or/and lack thereof. And yes, there is something called the balance but its dynamics are defined distinctly by the individual.

Barring the workaholics - the people who choose work over anything else - rest of us can define and enjoy what we call balance. It may not be same as another working person but its your life and you choose to decide what gives you happiness. Your goals and achievements are your priority and their success is determined by the efforts we put in.

My decision to become a full-time artist was not predetermined but a series of happy coincidences that slowly took the shape of reality.

I was a hobby artist all along. Starting the journey as a kid, like most of us do, I was fortunate to receive support from family and friends. Then came a really big moment. I got discovered!
In a really big way. When I was about 8 or 9 years old, we lived in a small countryside in hilly area of India. During Summer, we had a chance to host an accomplished and very well respected artist from out-of-town. He noticed my passion for arts and made it known to my family. He felt that I was artistically blessed and had a naturally exceptional talent. With those words, may he rest in peace, he filled this little girl with unstoppable confidence in her abilities. That day on, I was never ever questioned about what I drew, painted, or created. My art supply requests, big or small, were always entertained, with equal, if not more excitement as towards the academic needs.

Knowing, you have it, makes everything possible. And that's what happened. I drew more often. Challenged myself more often. And whenever the  doubt arose, his words quelled it there and then. he had returned back to his hometown after spending a few weeks but his words stayed with me to date. In coming years, I started to set my goals higher and I cannot thank people around me to encourage to keep going. Although I didn't get any formal art training,  I received ample chances to access the best resources to learn.

Fast forward to marriage and kids. After my children were born, I came to realize my priorities needed to be changed. And that helped me choose motherhood over nine-to-six job. And around this time came an opportunity to learn in a classroom setting. I took the class offered by the local community college. I have no words to describe my joy to attend an art class!

My first ever art class made me think and practice in a way I had never done before. The semester end grade confirmed my passion in a tangible quantitative manner. It also cleared the way for another class that I took in painting. About this time, I had my work accepted into the year-end show. That could be called an exposure. I had won some school/college level contests, but this one was different. I got accepted as an art student! That opportunity laid the foundation of my decision to paint full-time in the coming years.

By Spring of 2014, I knew I was ready. I had no doubts on my capability, I never did, but the idea of working full-time in this field seemed frightening and yet welcoming! I am just so glad I chose it. It was the right decision and the timing was just right. Since that day, I have been making art and hoping that my purpose of life would become a reason of delight for others.

People often ask me how I make time to paint despite young children. I say, its not despite, its because of the young children I could fulfill my dream. Motherhood is a blessing and the responsibilities of being a parent come first! It is a choice and a very satisfying choice. Motherhood not only helped me follow my dream, it always brings a sense of meaningfulness into the artmaking.  It, naturally is a favorite genre to create. Some of it I share with you all and you could tell its created by an artist who is a mother.

With all this ado, I share "Mama Sheep" with you:


 Thanks for reading. Wishing you all the success in chasing your dreams!









Circle of Animals

#1 - Year of the Sheep

 

It is a series of animal-portraits inspired by the zodiac cycle of 12 years with one year represented by an animal. Each year is dedicated to one animal and that year is called its year, such as 2015 – year of sheep.

Focusing on the wildlife aspect of this cycle, I made 12 animal portraits. All paintings are of the same size and are meant to be displayed together. I took my artistic license to “free” the animals from their barns, animal shelters, and collars & harnesses. They all are painted in their natural habitats and possibly with their mates or offsprings.

To generate interest, I tried to choose some variation among the representative animal. For example, for the year of tiger I chose white tiger over a traditional yellow/orange Siberian or Bengal tiger. It gave me a chance to explore deeper, learn better and possibly, pique the curiosity of the viewer before reading the caption/title.

This series is a part of project “Nature” where there are landscapes, seasons, and more animals.

I used my own photos as references that we took during our trips to zoos, farms, animal shelters, and parks. And I am so very thankful to the photographers who lent their support by allowing to use their ref photos without hassles of copyrights. They were invaluable resources for the subjects living in lands far and away. Despite my best efforts there are a few that have no available photo credit info. I will mention that along with the photos of paintings.

I will add photos to the album one by one and I invite you to guess which animal aligned with the year of dragon. :-)

Do let me know your thoughts. Enjoy!

Tuesday, October 6, 2015

Fall Painting Season







Its that time of the year when the studio is packed back to back with artwork in progress and finished. Loving the hustle-bustle!